So continuing from my last mini update… I currently have my hands tied for November with working on the creative direction (in addition to photography of course!) of a new project I’m doing with Benny called NewMediaRockstars.   We’ve been hustling to give you guys a hefty load of OC (..original content)!  Its going to be like OA meets Masables meets E! meets .. Oprah?  Stay tuned :) This particular afternoon we ventured out to Venice Beach to shoot with Kassem G.  I’m actually quite please with this session. I shot 60 frames and got some keepers in that amount, woot new record!   Sidenote: My personal goal for every photo shoot that consist of “one look” is to shoot <200 frames.  If I’m shooting more than that I feel like I’m being lazy and hoping to get lucky by going shutter happy.  As I continue to develop and grow I realize that you can’t be lazy and expect magic to happen on set.  You really have to work and project creative direction and energy.  That energy and interaction gives your subject something to work with and makes you the photographer indirectly part of the end photo which in turn will set you apart from being another kid with a fancy camera that just points and shoots.

So continuing from my last mini update… I currently have my hands tied for November with working on the creative direction (in addition to photography of course!) of a new project I’m doing with Benny called NewMediaRockstars.  

We’ve been hustling to give you guys a hefty load of OC (..original content)!  Its going to be like OA meets Masables meets E! meets .. Oprah?  Stay tuned :)

This particular afternoon we ventured out to Venice Beach to shoot with Kassem G.  I’m actually quite please with this session. I shot 60 frames and got some keepers in that amount, woot new record!  

Sidenote: My personal goal for every photo shoot that consist of “one look” is to shoot <200 frames.  If I’m shooting more than that I feel like I’m being lazy and hoping to get lucky by going shutter happy.  As I continue to develop and grow I realize that you can’t be lazy and expect magic to happen on set.  You really have to work and project creative direction and energy.  That energy and interaction gives your subject something to work with and makes you the photographer indirectly part of the end photo which in turn will set you apart from being another kid with a fancy camera that just points and shoots.